<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
    <title>Alex Burns</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/" />
    <link rel="self" type="application/atom+xml" href="http://alexburns.net/atom.xml" />
    <id>tag:alexburns.net,2008-07-05://1</id>
    <updated>2009-01-05T22:49:05Z</updated>
    <subtitle>The personal site of Australian research analyst &amp; strategist Alex Burns</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Open Source 4.12</generator>

<entry>
    <title>Frost/Nixon (2008) &amp; Negotiation Games</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2009/01/frostnixon-2008.html" />
    <id>tag:alexburns.net,2009://1.63</id>

    <published>2009-01-05T10:36:29Z</published>
    <updated>2009-01-05T22:49:05Z</updated>

    <summary><![CDATA[Ron Howard's film adaptation of Frost/Nixon (2008) adopts a thriller format in contrast with the Melbourne Theatre Company's stage production which I saw several months ago.&nbsp; Salvatore Totino's cinematography turns David Frost's interview into a claustrophobic tit for tat whilst...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="36strategies" label="36 Strategies" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="anthonyhopkins" label="Anthony Hopkins" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="bargaining" label="bargaining" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="bobzelnick" label="Bob Zelnick" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="carolinecushing" label="Caroline Cushing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="danielphanley" label="Daniel P. Hanley" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidfrost" label="David Frost" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dualtracknegotiations" label="dual track negotiations" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="feetofclay" label="feet of clay" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="franklangella" label="Frank Langella" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="frostnixon" label="Frost/Nixon" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gametheory" label="game theory" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jackbrennan" label="Jack Brennan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jamesrestonjr" label="James Reston Jr." scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="johnbirt" label="John Birt" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kevinbacon" label="Kevin Bacon" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="matthewmacfayden" label="Matthew Macfayden" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="melbournetheatrecompany" label="Melbourne Theatre Company" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="michaelsheen" label="Michael Sheen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mikehill" label="Mike Hill" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mtc" label="MTC" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="negotiation" label="negotiation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nixon" label="Nixon" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="oliverplatt" label="Oliver Platt" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="oliverstone" label="Oliver Stone" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="petermorgan" label="Peter Morgan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pointillism" label="pointillism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="powerimbalances" label="power imbalances" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="richardnixon" label="Richard Nixon" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="salvatoretotino" label="Salvatore Totino" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="samrockwell" label="Sam Rockwell" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sleightofmouth" label="sleight of mouth" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="swiftylazar" label="Swifty Lazar" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thelastkingofscotland" label="The Last King of Scotland" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thequeen" label="The Queen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="titfortat" label="tit for tat" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tobyjones" label="Toby Jones" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wallstreet" label="Wall Street" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[Ron Howard's film adaptation of <a href="http://www.frostnixon.net/"><i>Frost/Nixon</i></a> (2008) adopts a thriller format in contrast with the Melbourne Theatre Company's <a href="http://www.australianstage.com.au/reviews/melbourne/frost/nixon--melbourne-theatre-company-1504.html">stage production</a> which I saw several months ago.&nbsp; Salvatore Totino's cinematography turns <a href="http://en.wikipedia.org/wiki/David_Frost_%28broadcaster%29">David Frost</a>'s interview into a claustrophobic <a href="http://en.wikipedia.org/wiki/Tit_for_tat">tit for tat</a> whilst editors Daniel P. Hanley and Mike Hill linger on the emotional aftermath of <a href="http://en.wikipedia.org/wiki/Richard_Nixon">Richard Nixon</a>'s elicited, emotional self-disclosure.<br /><br />For me the MTC's version suffered from a first act which established the interview's circumstances, obscured the <a href="http://www.it-can.ca/pdf/Negotiating_the_Best_Deal.pdf">dual track negotiations</a> between Frost and Nixon's advisers, and veered into comedy, before ratcheting up the second act.&nbsp; Howard avoids this dilemma through taut pacing that has a semi-documentary feel heightened when the characters deliver their monologues straight to the camera.<br /><br />The cast needs to be stellar for this ensemble film and it delivers.&nbsp; Frank Langella's Nixon is a self-tortured leader with <a href="http://www.amazon.com/Feet-Clay-Anthony-Storr/dp/0684834952">feet of clay</a>; I have to now revisit Anthony Hopkins' portrayal in Oliver Stone's <a href="http://en.wikipedia.org/wiki/Wall_Street_%28film%29"><i>Nixon</i></a> (1995) for a comparison.&nbsp; Michael Sheen's Frost adopts a chutzpah mask which hides a risk-taking gambit to avoid career demise and the compromises made to financiers.&nbsp; Kevin Bacon's Jack Brennan is prepared to take the flak for Nixon.&nbsp; Sam Rockwell's James Reston Jr. evokes how research can become an all-consuming quest when your beliefs and passions are on the line, deftly counterpointed by Oliver Platt's Bob Zelnick who zigs and zags between self-depracating humour and conscientious objector angst.&nbsp; Matthew Macfayden's John Birt updates the role he played in <a href="http://www.bbc.co.uk/spooks/"><i>Spooks</i></a> (aka <i>MI5</i>) as a nuanced political operator who must counterbalance Frost's chutzpah and the resistance it creates for Reston Jr. and Zelnick with keeping the team together, and getting the interview planning, negotiations and logistics done.&nbsp; Rebecca Hall's Caroline Cushing and Toby Jones' Swifty Lazar provide comic relief from the tension and function to advance the film's plot points.&nbsp; Langella gets the spotlight for his Nixon portrayal yet the rest of the cast are vital because the plot needs everyone to be a coherent whole.<br /><br />Playwright and scriptwriter <a href="http://en.wikipedia.org/wiki/Peter_Morgan">Peter Morgan</a>'s previous films have explored weighty themes: self-willed blindness to the dark side of charismatic leadership in <a href="http://www.foxsearchlight.com/lastkingofscotland/"><i>The Last King of Scotland</i></a> (2006) and leadership judgment during crisis-driven events in <a href="http://www.imdb.com/title/tt0436697/"><i>The Queen</i></a> (2006).&nbsp; Set after Watergate and Nixon's presidential pardon, <i>Frost/Nixon</i> explores the commitment costs for a research group that sets out to achieve public justice and the ploys in a complex multi-party negotiation.&nbsp; There's far more beyond the heart-to-heart phone call between Nixon and Frost, and Nixon's final self-disclosure, just as there was more to Oliver Stone's <a href="http://en.wikipedia.org/wiki/Wall_Street_%28film%29"><i>Wall Street</i></a> (1987) than Gordon Gecko's 'greed is good' sound-bite.&nbsp; All sides use psychological tactics to gain momentary bargaining advantages and to leverage power imbalances, from Swifty Lazar's late night reply on Frost's opening bid to Birt, Reston Jr. and Brennan's interruptions of the interview taping at strategic points that are beneficial to their teams.&nbsp; Frost opts to 'lure the tiger from the mountain' (<a href="http://en.wikipedia.org/wiki/Thirty-Six_Strategies"><i>36 Strategies</i></a>) for Nixon to self-disclose, enraging Reston Jr. and Zelnick who want a front-on attack about Watergate and the Vietnam War.&nbsp; Nixon uses <a href="http://en.wikipedia.org/wiki/Sleight_of_mouth">sleight of mouth</a> patterns to interrupt, stall and throw Frost off guard.&nbsp; Birt is caught in a position akin to a consultant or line manager: responsible for logistics and having to persuade all parties to move forward.&nbsp; Anyone who has had to raise money against the odds for a project will wince with familiarity at Frost's desparate meetings with television network chiefs and advertising agencies.&nbsp; It's this <a href="http://en.wikipedia.org/wiki/Pointillism">pointillism</a> which makes <i>Frost/Nixon</i> even richer than the interview's climatic revelations and why the film will be perfect for an MBA class on mergers and acquisitions, negotiation and game theory.<br /><br />Now all I need to see are the <a href="http://www.frostnixon.com/">Frost/Nixon original interviews</a> . . .<br /> ]]>
        
    </content>
</entry>

<entry>
    <title>Trading Chaos</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2009/01/trading-chaos.html" />
    <id>tag:alexburns.net,2009://1.62</id>

    <published>2009-01-04T02:25:00Z</published>
    <updated>2009-01-04T08:55:44Z</updated>

    <summary><![CDATA[Williams, Bill &amp; Justine Gregory-Williams.&nbsp; Trading Chaos: Maximise Profits With Proven Technical Techniques (2nd ed.), John Wiley &amp; Sons, New York, 2004.The father-daughter authors summarise a personal methodology based primarily on: (1) the technical analysis of oscillations in market securities;...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="agilesoftwaredevelopment" label="agile software development" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="autogenictraining" label="autogenic training" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="benoitmandelbrot" label="Benoit Mandelbrot" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="chaostheory" label="chaos theory" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="charlesmackay" label="Charles Mackay" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cmmi" label="CMMI" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cognitivechaining" label="cognitive chaining" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cognitivepsychology" label="cognitive psychology" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="commoditiesfuturesmarkets" label="commodities futures markets" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="contrarianstrategies" label="contrarian strategies" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="countertrends" label="countertrends" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fibonaccinumbers" label="Fibonacci numbers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="forexmarkets" label="forex markets" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gamma" label="Gamma" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="goldennumbers" label="Golden numbers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gustavelebon" label="Gustave Le Bon" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="institutionalfunds" label="institutional funds" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="johnlilly" label="John Lilly" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="johnsearle" label="John Searle" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="learnedoptimism" label="learned optimism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="martinseligman" label="Martin Seligman" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="metabeliefs" label="meta-beliefs" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="neurolinguisticprogramming" label="neurolinguistic programming" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nlp" label="NLP" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pathofleastresistance" label="path of least resistance" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rho" label="Rho" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="signals" label="signals" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="swingtrading" label="swing trading" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="taoism" label="Taoism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="technicalanalysis" label="technical analysis" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="theta" label="Theta" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tradingchaos" label="Trading Chaos" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="valueappropriation" label="value appropriation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="vega" label="Vega" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="zen" label="Zen" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[Williams, Bill &amp; Justine Gregory-Williams.&nbsp; <a href="http://www.amazon.com/Trading-Chaos-Technical-Techniques-Marketplace/dp/0471463086/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1231036587&amp;sr=8-1"><i>Trading Chaos: Maximise Profits With Proven Technical Techniques</i></a> (2nd ed.), John Wiley &amp; Sons, New York, 2004.<br /><br />The father-daughter authors summarise a personal methodology based primarily on: (1) the <a href="http://en.wikipedia.org/wiki/Technical_analysis">technical analysis</a> of oscillations in market securities; and (2) the opportunities for day traders and swing traders to <i>appropriate value</i> from institutional funds through 'countertrend' signals which occur in commodities futures and currency/foreign exchange (forex) markets.&nbsp; The first (1995) and second (2004) editions coincided with the IT and subprime bubbles which created day trading subcultures and market volatility, so it would be interesting to see how the authors have fared during the 2007-08 global financial crisis.<br /><br />The book's first half synthesises various ideas on formulating a trading plan and the psychology of market trading.&nbsp; The ideas include a social constructionist view of money as a holder of value (<a href="http://en.wikipedia.org/wiki/John_Searle">John Searle</a>); crowd psychology and rational herds in markets (<a href="http://en.wikipedia.org/wiki/Gustave_Le_Bon">Gustave Le Bon</a>, <a href="http://en.wikipedia.org/wiki/Charles_Mackay">Charles Mackay</a>); the new paradigm of chaos theory in markets and how fractals and self-similarity create new trading perceptions about pricing and signals (<a href="http://en.wikipedia.org/wiki/Beno%C3%AEt_Mandelbrot">Benoit Mandelbrot</a>), and the popularity of Eastern belief systems amongst traders as models for skills acquisition and stress management (notably Western popularisations of Zen and Taoism).&nbsp; Thus an awareness of broader intellectual trends can be useful to unpack the building blocks of a system and for comparative analysis with other theorists and models.<br /><br />Ben Williams' original contribution is to explain how his background as a psychologist informs his trading approach.&nbsp; Chapter 7 outlines a generic model of skills acquisition --- novice, advance beginner, competent, proficient and expert --- that was explored in the book's first edition, and can be integrated with <a href="http://en.wikipedia.org/wiki/Agile_software_development">Agile</a>, <a href="http://www.sei.cmu.edu/cmmi/">CMMI</a> and other frameworks for integrating operations and strategy.&nbsp; Williams summarises exercises from <a href="http://en.wikipedia.org/wiki/Autogenic_training">autogenic training</a> for stress control in the face of market volatility, <a href="http://en.wikipedia.org/wiki/Symbolic_interactionism">symbolic interactionist</a> approaches to align the trader's individual psyche with the market, and cognitive psychology techniques such as cognitive chaining for surfacing deeply held beliefs which lead to self-sabotage and trying to trade out of a losing position without stop losses.&nbsp; The cognitive psychology approach reminds me of physician <a href="http://www.johnclilly.com/">John Lilly</a>'s mid-career work on meta-beliefs and it also parallels recent work in behavioural finance.&nbsp; However, some descriptions --- such as a section on Taoism, Zen and visualising the market as a river which follows the path of least resistance --- seem to be closer to <a href="http://www.livingthefield.com/">New Age beliefs</a> about <a href="http://en.wikipedia.org/wiki/Zero-point_field">zero point fields</a> which integrate consciousness and matter than the original metaphysical systems.&nbsp; I agree these systems can be applied to training however they need far more grounding than detailed here.<br /><br />From the earlier material on trading approaches, the book's second half develops a trading system to anticipate the price movements in market securities through fractals and self-similarity which occur in volatility.&nbsp; It's always interesting to see how traders justify their approaches and the example trades given.&nbsp; I'm closer to the adaptive markets, event arbitrage and behavioural finance schools of investing and remain to be convinced about the validity of technical analysis that the Williams propose, beyond the obvious role of pattern recognition.&nbsp; Actually perceiving nonlinear dynamics and turbulence can be very different to the language and paradigmatic thought that makes chaos theory a popular explanation.<br /><br />I did experience some perception changes after reading <i>Trading Chaos</i>: (1) charts might be interpreted in a different psychological frame using fractal, self-similarity and volatility metaphors; (2) viewing charts at different timescales (e.g. 1 hour, 1 day, 1 week) might develop the cognition skills to quickly scan signals in a real-time environment; and (3) the juxtaposition of lead and lag signals for trading decisions and triggers has potential, particularly if combined with game theoretic modelling of the market and volatility effects from institutional investors, monetary policy and rational herds.&nbsp; It remains to be seen if these perceptions are sustainable and verifiable in trading conditions, and not just subjective reactions based on past research about chaos theory models.<br /><br />That said, the trading system may also have several criticisms and weaknesses. Finding signals in oscillations and nonlinear dynamics may be difficult in a volatile market.&nbsp; Analysts can be subjective particularly if de-leveraging and other actions by institutional investors are not factored in.&nbsp; Swing traders may be exposed to market sensitivities (aka <a href="http://en.wikipedia.org/wiki/Greeks_%28finance%29">the Greeks</a>): <i>Gamma</i> (the rate of change in the underlying security's price), <i>Vega</i> (sensitivity to volatility), <i>Theta</i> (time-decay) and <i>Rho</i> (time-decay of interest rates).&nbsp; Finally, modelling turbulence and uncertainty in a grey or white box system remains a major challenge for financial engineers in new market environments.<br /><br />Threaded throughout <i>Trading Chaos</i> are the mix of useful insights and shibboleths in day trading subcultures.&nbsp; CNBC, investment experts, and the plethora of courses and newsletters thrive on investor insecurity yet create <a href="http://en.wikipedia.org/wiki/Noise_%28economic%29">noise</a> (pp. 34, 42, 56).&nbsp; Trading decisions, trading volume, and speed and type of momentum may be lead indicators of price volatility (p. 126).&nbsp; Broad market knowledge purports to trump expert/specialist understanding (p. 135).&nbsp; Market facts must be distinguished from opinions and beliefs (pp. 8-11).&nbsp; Trader personalities shape risk tolerance, time horizon, the asset allocation process and types of controls (pp. 92, 155), a factor relevant to human resources consultants and the 'transition in' process for trading desks in investment banks.&nbsp; Analysis risk involves emotions and perceptions of a signal (pp. 52-53).&nbsp; The interest in <a href="http://en.wikipedia.org/wiki/Fibonacci_number">Fibonacci numbers</a> and <a href="http://en.wikipedia.org/wiki/Golden_ratio">Golden ratios</a> are partly because they are iterative, geometric structures applicable to price movement forecasting (pp. 22-23).&nbsp; Grey and white box systems with transparent, programmable rules are preferable to expensive, high-end black box systems which use artificial intelligence and neural net algorithms (pp. 53, 56).&nbsp; A useful bibliography highlights the <a href="http://www.santafe.edu/">Santa Fe Institute</a>'s influence on chaos theory applications in finance and macroeconomics.&nbsp; It suggests this area needs far more research to verify the claims and provisional findings in this book, to separate the gold from the dross.<br /><br />Perhaps the most pivotal insight of <i>Trading Chaos</i> is buried in the text.&nbsp; "We all trade our belief systems.&nbsp; When some of you think about this, it produces a crisis," the authors assert.&nbsp; Now <i>that</i> could be the basis for a 'contrarian' trading system --- probably the one that hedge funds with a short/event arbitrage approach use to scalp day traders in currency/forex and commodities futures markets.<br />]]>
        
    </content>
</entry>

<entry>
    <title>33 1/3 Proposal Excerpt on Queensryche&apos;s Operation Mindcrime (1988)</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2009/01/33-13-proposal-excerpt.html" />
    <id>tag:alexburns.net,2009://1.61</id>

    <published>2009-01-01T03:10:55Z</published>
    <updated>2009-01-01T14:15:04Z</updated>

    <summary><![CDATA[My last email for 2008 at 11:56pm was to send a proposal to editor David Barker for the excellent series 33 1/3 which features 25-35k-word analyses of influential and important music albums.&nbsp; 33 1/3's reputation means David and his publishing...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Counterterrorism" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="3313" label="33 1/3" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="77" label="7/7" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="albertbandura" label="Albert Bandura" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="barackobama" label="Barack Obama" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="bernardinedohrn" label="Bernardine Dohrn" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="billayers" label="Bill Ayers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="billsiegel" label="Bill Siegel" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="bunchofguys" label="Bunch of Guys" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidbarker" label="David Barker" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidcrapoport" label="David C. Rapoport" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidcole" label="David Cole" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidgrossman" label="David Grossman" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="elizabethkublerross" label="Elizabeth Kubler-Ross" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="erichfromm" label="Erich Fromm" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="errolmorr" label="Errol Morr" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[<font style="font-size: 1em;">My last email for 2008 at 11:56pm was to send a proposal to editor <a href="http://www.blogger.com/profile/07317377313622554323">David Barker</a> for the excellent series <a href="http://www.33third.blogspot.com/">33 1/3</a> which features 25-35k-word analyses of influential and important music albums.&nbsp; <a href="http://en.wikipedia.org/wiki/33%E2%85%93">33 1/3</a>'s reputation means David and his publishing team will probably be swamped with proposals.&nbsp; On vacation, David is hopefully far away from a computer.</font><br /><br />I've seen proposals from several colleagues, and they have chosen some really intriguing albums that I wouldn't have thought of.&nbsp; So, whichever proposals David and his team choose to go with, you'll see some great 33 1/3 books by new writers in 2010 and 2011.<br /><br />After the jump you can read an excerpt from my proposal, which reveals my album choice: I tried to go with something that is part of the recognised canon (both critical and commercial), which 33 1/3 has not covered before, and importantly, to try and suggest why the book would have significance to a broader readership.&nbsp; Some of the album's themes are hot topics in the media's <a href="http://www.anthonydowns.com/upanddown.htm">issue-attention cycle</a>, and after sending the proposal in, I found David Cole's <a href="http://www.nybooks.com/articles/22232">great article</a> from <i>The New York Review of Books</i>' forthcoming issue.&nbsp; The proposal doesn't hinge on this hot topic, it's just interesting to see changes unfold in the macro environment.<br /><br />Enjoy, and let me know what you think.<br /><br /><br />]]>
        <![CDATA[<meta http-equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 12"><meta name="Originator" content="Microsoft Word 12"><link rel="File-List" href="file:///C:%5CUsers%5CALEXBU%7E1%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"><link rel="themeData" href="file:///C:%5CUsers%5CALEXBU%7E1%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"><link rel="colorSchemeMapping" href="file:///C:%5CUsers%5CALEXBU%7E1%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"><!--[if gte mso 9]><xml>
 <w:WordDocument>
  <w:View>Normal</w:View>
  <w:Zoom>0</w:Zoom>
  <w:TrackMoves/>
  <w:TrackFormatting/>
  <w:PunctuationKerning/>
  <w:ValidateAgainstSchemas/>
  <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
  <w:IgnoreMixedContent>false</w:IgnoreMixedContent>
  <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
  <w:DoNotPromoteQF/>
  <w:LidThemeOther>EN-AU</w:LidThemeOther>
  <w:LidThemeAsian>X-NONE</w:LidThemeAsian>
  <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
  <w:Compatibility>
   <w:BreakWrappedTables/>
   <w:SnapToGridInCell/>
   <w:WrapTextWithPunct/>
   <w:UseAsianBreakRules/>
   <w:DontGrowAutofit/>
   <w:SplitPgBreakAndParaMark/>
   <w:DontVertAlignCellWithSp/>
   <w:DontBreakConstrainedForcedTables/>
   <w:DontVertAlignInTxbx/>
   <w:Word11KerningPairs/>
   <w:CachedColBalance/>
  </w:Compatibility>
  <m:mathPr>
   <m:mathFont m:val="Cambria Math"/>
   <m:brkBin m:val="before"/>
   <m:brkBinSub m:val="&#45;-"/>
   <m:smallFrac m:val="off"/>
   <m:dispDef/>
   <m:lMargin m:val="0"/>
   <m:rMargin m:val="0"/>
   <m:defJc m:val="centerGroup"/>
   <m:wrapIndent m:val="1440"/>
   <m:intLim m:val="subSup"/>
   <m:naryLim m:val="undOvr"/>
  </m:mathPr></w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267">
  <w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/>
  <w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 1"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 2"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 3"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 4"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 5"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 6"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 7"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 8"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 9"/>
  <w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/>
  <w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/>
  <w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/>
  <w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/>
  <w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/>
  <w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/>
  <w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/>
  <w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/>
  <w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/>
  <w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/>
  <w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/>
  <w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/>
  <w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/>
  <w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/>
  <w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/>
  <w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/>
  <w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/>
  <w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/>
  <w:LsdException Locked="false" Priority="37" Name="Bibliography"/>
  <w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/>
 </w:LatentStyles>
</xml><![endif]--><style>
<!--
 /* Font Definitions */
 @font-face
	{font-family:"Cambria Math";
	panose-1:2 4 5 3 5 4 6 3 2 4;
	mso-font-charset:0;
	mso-generic-font-family:roman;
	mso-font-pitch:variable;
	mso-font-signature:-1610611985 1107304683 0 0 159 0;}
@font-face
	{font-family:Calibri;
	panose-1:2 15 5 2 2 2 4 3 2 4;
	mso-font-charset:0;
	mso-generic-font-family:swiss;
	mso-font-pitch:variable;
	mso-font-signature:-1610611985 1073750139 0 0 159 0;}
 /* Style Definitions */
 p.MsoNormal, li.MsoNormal, div.MsoNormal
	{mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-parent:"";
	margin-top:0cm;
	margin-right:0cm;
	margin-bottom:10.0pt;
	margin-left:0cm;
	line-height:115%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-fareast-font-family:Calibri;
	mso-bidi-font-family:"Times New Roman";
	mso-fareast-language:EN-US;}
.MsoChpDefault
	{mso-style-type:export-only;
	mso-default-props:yes;
	font-size:10.0pt;
	mso-ansi-font-size:10.0pt;
	mso-bidi-font-size:10.0pt;
	mso-ascii-font-family:Calibri;
	mso-fareast-font-family:Calibri;
	mso-hansi-font-family:Calibri;}
@page Section1
	{size:612.0pt 792.0pt;
	margin:72.0pt 72.0pt 72.0pt 72.0pt;
	mso-header-margin:36.0pt;
	mso-footer-margin:36.0pt;
	mso-paper-source:0;}
div.Section1
	{page:Section1;}
-->
</style><!--[if gte mso 10]>
<style>
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin:0cm;
	mso-para-margin-bottom:.0001pt;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:"Times New Roman";
	mso-fareast-theme-font:minor-fareast;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;}
</style>
<![endif]-->

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">"One night in
a bar called St. Supice, I met the man who became Dr. X.<span style="">&nbsp; </span>The cold, calculating, vicious personality of
this man still makes me feel uneasy as I write this.<span style="">&nbsp; </span>His character and alleged involvement with a
terrorist organization coupled with other personalities I had met on my travels
truly were the inspiration for this record."</font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">― Geoff Tate,
liner notes to 2003 Capitol Records reissue of <i style="">Operation: Mindcrime<o:p></o:p></i></font></p>

<p class="MsoNormal" style="text-indent: 36pt; line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<p class="MsoNormal" style="text-indent: 36pt; line-height: normal;"><font style="font-size: 1em;">"Too much
bloodshed, we're being used and fed | Like rats in experiments."</font></p>

<p class="MsoNormal" style="text-indent: 36pt; line-height: normal;"><font style="font-size: 1em;">― Nikki in
"Suite Sister Mary", <i style="">Operation: Mindcrime</i></font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;">Why does <a href="http://www.queensryche.com/releases/operation-mindcrime/"><i style="">Operation: Mindcrime</i></a> have a broader significance?<span style="">&nbsp; </span>In the triumvirate of Dr. X, Nikki and Mary,
<a href="http://www.queensryche.com/">Queensryche</a>'s <a href="http://www.geofftate.com/">Geoff Tate</a> demonstrates a counterterrorism enigma: the
'screening' process to recruit new members, who undergo a deindividualisation
process. </font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;">Counterterrorism researchers have
rediscovered this key process, such as <a href="http://en.wikipedia.org/wiki/Albert_Bandura">Albert Bandura</a>'s studies on the
<a href="http://en.wikipedia.org/wiki/Red_Army_Faction">Baader-Meinhof Gang</a> and the <a href="http://en.wikipedia.org/wiki/Weather_Underground">Weather Underground</a> (moral disengagement), <a href="http://www.zimbardo.com/">Philip
Zimbardo</a>'s epochal <a href="http://www.prisonexp.org/">Stanford Prison Experiment</a> (situated character
transformation), <a href="http://en.wikipedia.org/wiki/David_Grossman">David Grossman</a>'s study of desensitisation training
(<a href="http://www.killology.com/">killology</a>), and <a href="http://ksgfaculty.harvard.edu/jessica_stern">Jessica Stern</a>'s face-to-face interviews (extreme
doubling).<span style="">&nbsp; </span>However, Tate's narrative
makes this process emerge visibly from the shadows.</font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;">The result is that <a href="http://en.wikipedia.org/wiki/Operation_Mindcrime"><i style="">Operation: Mindcrime</i></a> becomes a 'meta-album' that like the '<a href="http://en.wikipedia.org/wiki/Metafiction">meta-fiction</a>' of <a href="http://www.hplovecraft.com/">H.P. Lovecraft</a>, <a href="http://www.asimovonline.com/">Isaac Asimov</a> and
<a href="http://www.umbertoeco.com/">Umberto Eco</a>, capturing oblique, dangerous insights in fictional form.<span style="">&nbsp; </span>Framed by the <a href="http://en.wikipedia.org/wiki/Plato">Platonic</a> <i style="">anamnesis</i> or self-remembering of "I Remember Now", <i style="">Mindcrime</i>'s tracks document the
processes identified by Bandura, Zimbardo, Grossman, and Stern.<span style="">&nbsp; </span>"Revolution Calling", "Operation: Mindcrime",
"Speak", "Spreading The Disease" and "The Mission" capture Nikki's ideological
radicalisation at Dr. X's hands.<span style="">&nbsp; </span>The
romantic-idealist arc of "Suite Sister Mary", "The Needle Lies", "Breaking The
Silence", "I Don't Believe In Love" and "Eyes Of A Stranger" capture the
personal costs for Nikki and Mary. "Underground Revolution" becomes a no-win
game. </font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;">Although he doesn't explicitly
state it, Tate's description above and his Montreal, Canada, location at the
time suggests that his model for Dr. X was a recruiter and propagandist for the
<a href="http://en.wikipedia.org/wiki/FLQ">Front de Liberation du Quebec</a> (1967-70), a short-lived right-wing paramilitary
group that <a href="http://en.wikipedia.org/wiki/October_Crisis">waged a violent campaign in October 1970</a> including the assassination
of a Canadian politician.<span style="">&nbsp; </span>This fits <i style="">Mindcrime</i>'s narrative and Nikki's
actions, and if confirmed by Tate, would strengthen the rock opera's
conceptualisation of terrorist psychology and initiation. (Tate also references
German revolutionary anarchist <a href="http://en.wikipedia.org/wiki/Johann_Most">Johann Most</a> in "Freiheit Overture" which opens <a href="http://en.wikipedia.org/wiki/Operation_Mindcrime_2"><i style="">Operation: Mindcrime II</i></a>).</font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>



<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;">Philip Zimbardo's recent study <a href="http://www.lucifereffect.com/"><i style="">The Lucifer Effect: How Good People Turn
Evil</i></a> (2007) is useful for framing <i style="">Mindcrime</i>'s
narrative in three different dimensions.<span style="">&nbsp;
</span>The rock opera begins and ends with Nikki's brutal hospitalisation, an
exemplar of Zimbardo's "administrative evil" (pp. 381 - 382) reminiscent of the
anti-psychiatrist <a href="http://www.szasz.com/">Thomas Szasz</a>.<span style="">&nbsp; </span>Much of
Tate's background narrative is about Zimbardo's "system evil" as an 'enabling
environment': Reagan-era corruption and political zero-sum games such as the
Iran-Contra affair, the collapse of the bank BCCI, fallen televangelists such
as Jimmy Swaggart, and the 'Greed is Good' wave of corporate mergers and
leveraged buyouts.<span style="">&nbsp; </span>Finally, Dr. X's
"Underground Revolution" embodies the 'situational evil' which turns Nikki's
disillusionment into sociopathic hatred before Mary becomes his super-ego
conscience.</font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><i style="">Mindcrime</i>'s narrative can also be understood as a prism for an
open-ended discussion of how counterterrorism has evolved from its Year Zero in
1968 to the Obama Administration's re-evaluation of the Bush Administration's
"War on Terror":</font></p><p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><br /></font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">• The
disillusioned Nikki mirrors a criminological tradition in counterterrorism,
from <a href="http://www.bsos.umd.edu/gvpt/gurr/">Ted Gurr</a>'s 'relative deprivation' thesis to <a href="http://en.wikipedia.org/wiki/William_Luther_Pierce">William L. Pierce</a>'s call for
'lone wolves' and <a href="http://www1.indstate.edu/ccj/facultystaff/hamm.html">Mark S. Hamm</a>'s belief that terrorism is best treated as
crime.</font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">• Dr. X
exemplifies Simon Reeve and <a href="http://en.wikipedia.org/wiki/Michael_Ledeen">Michael Ledeen</a>'s separate analyses of Al Qaeda as
'terrorist entrepreneurs', possibly <a href="http://www.gwu.edu/%7Eelliott/faculty/post.cfm">Marc Sageman</a>'s '<a href="http://en.wikipedia.org/wiki/Bunch_of_Guys">Bunch of Guys</a>' theory about
the 7/7 bombers, and definitely <a href="http://www.gwu.edu/%7Eelliott/faculty/post.cfm">Jerrold M. Post</a>'s psychological profiling of
political leaders. </font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">• Dr. X's
"Underground Revolution" illustrates <a href="http://en.wikipedia.org/wiki/David_C._Rapoport">David C. Rapoport</a>'s early research on the
"assassination game" and <a href="http://socrates.berkeley.edu/%7Epdscott/">Peter Dale Scot</a>t's 'parapolitics' of covert
operations.<span style="">&nbsp; </span>Nikki and Mary's
relationship in <i style="">Mindcrime</i> and all of <a href="http://en.wikipedia.org/wiki/Operation_Mindcrime_2"><i style="">Operation: Mindcrime II</i></a> (2006) traverses
<a href="http://en.wikipedia.org/wiki/Elisabeth_K%C3%BCbler-Ross">Elisabeth Kubler-Ross</a>'s <a href="http://en.wikipedia.org/wiki/K%C3%BCbler-Ross_model">grief cycle</a>.</font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">• Apart from
Zimbardo, <i style="">Mindcrime</i> also evokes the
earlier <a href="http://www.tavinstitute.org/">Tavistock</a> tradition of <a href="http://en.wikipedia.org/wiki/Erich_Fromm">Erich Fromm</a>'s research, notably <a href="http://en.wikipedia.org/wiki/Fear_of_Freedom"><i style="">Escape From Freedom</i></a> aka <i style="">Fear of Freedom </i>(1941) and <a href="http://books.google.com/books?id=hw2NAAAAMAAJ&amp;q=anatomy+of+human+destructiveness&amp;dq=anatomy+of+human+destructiveness"><i style="">The Anatomy of Human Destructiveness</i></a>
(1973).</font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><br /></font></p><p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;">Tate's achievement is that
whatever your stance or worldview on terrorist motivations, you can still find
explanations and insights in <i style="">Mindcrime</i>'s
rock opera.<span style="">&nbsp; </span>In the aftermath of the
September 11 terrorist attacks, Tate's Internet postings also mentioned state
terrorism.</font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;">Recent events capture why <i style="">Mindcrime</i>'s exploration of a young,
motivated terrorist still has relevance: </font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">• Sam Green
and Bill Siegel's documentary <a href="http://www.pbs.org/independentlens/weatherunderground/film.html"><i style="">The Weather
Underground</i></a> (2002) hints that Bernardine Dohrn, <a href="http://billayers.org/">Bill Ayers</a> and other
members underwent a similar radicalisation process to Nikki, a factor that
foreshadowed the <a href="http://en.wikipedia.org/wiki/Bill_Ayers_presidential_election_controversy">2008 U.S. Presidential election debate about Ayers'
connections</a> with now <a href="http://www.change.gov/">President-Elect Barack Obama</a>. </font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">• Jane Mayers'
<a href="http://www.amazon.com/Dark-Side-Inside-Terror-American/dp/0385526393"><i style="">The Dark Side</i></a> (2008), and <a href="http://en.wikipedia.org/wiki/Errol_Morris">Errol
Morris</a> and <a href="http://en.wikipedia.org/wiki/Philip_Gourevitch">Philip Gourevitch</a>'s book and documentary film <a href="http://www.sonyclassics.com/standardoperatingprocedure/"><i style="">Standard Operating Procedure</i></a> (2008) reveal similar processes at
work in Abu Ghraib and Guantanamo Bay.</font></p>



<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">• MSNBC, <i style="">The New York Times</i> and other media
outlets reported in December 2008 that <a href="http://www.nin.com/">Nine Inch Nails</a>' Trent Reznor, <a href="http://www.massiveattack.co.uk/">Massive
Attack</a> and <a href="http://www.ratm.com/">Rage Against The Machine</a> guitarist <a href="http://en.wikipedia.org/wiki/Tom_Morello">Tom Morello</a> will lobby the U.S.
Army to stop using their music as a psychological warfare tool in military
interrogations (a conspiracy rumour that <a href="http://www.jonronson.com/">Jon Ronson</a> confirmed in his 2004 book <a href="http://www.jonronson.com/goats_04.html"><i style="">The Men Who Stare At Goats</i></a> scheduled as
a 2009 film starring George Clooney, Ewan McGregor and Kevin Spacey).</font></p>

<p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><font style="font-size: 1em;">• Finally, <i style="">New York Times</i> journalist Katherine
Zoepf reported on "<a href="http://tinyurl.com/59ebo4">Deprogramming Jihadists</a>" on 7<sup>th</sup> November 2008
that Saudi Arabia is using a similar strategy to reintegrate former militants,
extremists and jihadists back into mainstream society<span style="">.</span></font></p>

<p class="MsoNormal" style="line-height: normal;"><font style="font-size: 1em;"><o:p>&nbsp;</o:p></font></p>

<font style="font-size: 1em;"><span style="font-size: 11pt; line-height: 115%; font-family: &quot;Calibri&quot;,&quot;sans-serif&quot;;">"The
time is ripe for changing | There's a growing feeling | That taking a chance on
a new kind of vision is due," Nikki proclaims hopefully at the beginning of
"Revolution Calling".<span style="">&nbsp; </span><i style="">Operation: Mindcrime</i> suggests this
optimistic hope can be transformed into darker consequences.</span></font>]]>
    </content>
</entry>

<entry>
    <title>Calling All Nations</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/12/calling-all-nations.html" />
    <id>tag:alexburns.net,2008://1.58</id>

    <published>2008-12-13T06:32:21Z</published>
    <updated>2008-12-13T12:58:44Z</updated>

    <summary><![CDATA[Several weeks ago I noticed new graffiti on street signs in the Melbourne suburb Northcote from an unknown group: the Saracen Soldiers.&nbsp; A block away from the most prominent graffiti two houses displayed nationalist flags in their front windows.&nbsp; It...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Counterterrorism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Occulture" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="agitationpropaganda" label="agitation propaganda" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alqaeda" label="Al Qaeda" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alexandrosgrigoropoulos" label="Alexandros Grigoropoulos" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="allnations" label="All Nations" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="anarchist" label="anarchist" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="antiracialist" label="anti-racialist" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="bebo" label="Bebo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="charlestilly" label="Charles Tilly" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="collectiveviolence" label="collective violence" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="criticalincidentstress" label="critical incident stress" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="disinformation" label="Disinformation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fightdemback" label="Fight Dem Back" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="holidaysontheriveryarra" label="Holidays on the River Yarra" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="integrationpropaganda" label="integration propaganda" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jacquesellul" label="Jacques Ellul" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kmart" label="Kmart" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="leoberkeley" label="Leo Berkeley" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lesslethalweapons" label="less-lethal weapons" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="loosetienetwork" label="loose tie network" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marcsageman" label="Marc Sageman" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="myspace" label="MySpace" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nonlethalweapons" label="non-lethal weapons" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="northcote" label="Northcote" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="philipkdick" label="Philip K Dick" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="politicallymotivatedviolence" label="politically motivated violence" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="racialist" label="racialist" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="radiofreealbemuth" label="Radio Free Albemuth" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="richardmetzger" label="Richard Metzger" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rosiex" label="Rosie X" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="salafi" label="Salafi" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="saracensoldiers" label="Saracen Soldiers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="scs" label="SCS" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sherryturkle" label="Sherry Turkle" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="signallinggame" label="signalling game" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="southerncrosssoldiers" label="Southern Cross Soldiers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="taser" label="taser" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="taser" label="Taser" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thepoliticsofcollectiveviolence" label="The Politics of Collective Violence" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tommetzger" label="Tom Metzger" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tylercassidy" label="Tyler Cassidy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="victoriapolice" label="Victoria Police" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="weakties" label="weak ties" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="whitearyanresistance" label="White Aryan Resistance" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="whitesupremacist" label="white supremacist" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[Several weeks ago I noticed new graffiti on street signs in the Melbourne suburb <a href="http://en.wikipedia.org/wiki/Northcote,_Victoria">Northcote</a> from an unknown group: the Saracen Soldiers.&nbsp; A block away from the most prominent graffiti two houses displayed nationalist flags in their front windows.&nbsp; It could have been coincidence or maybe a signalling game to establish psychological turf.<br /><br />At the time I thought of the ominous graffiti in <a href="http://www.philipkdick.com/">Philip K. Dick</a>'s posthumously published novel <a href="http://en.wikipedia.org/wiki/Radio_Free_Albemuth"><i>Radio Free Albemuth</i></a> (1985).&nbsp; The grafiti also reminded me of the wanna-be teenage mercenaries in <a href="http://www.rmit.com.au/browse;ID=8gnl1chdg7qo">Leo Berkeley</a>'s film <a href="http://www.afc.gov.au/filmsandawards/filmdbsearch.aspx?=keyword&amp;view=title&amp;title=HOLIDO"><i>Holidays on the River Yarra</i></a> (1990), who are recruited by a racialist organisation to engage in graffiti, brawls and other low-level politically motivated violence.<br /><br />Two nights ago police <a href="http://www.theage.com.au/national/two-knives-three-alarmed-police-officers-and-a-scared-little-boy-lies-dead-in-seconds-20081212-6xnm.html?page=-1">fatally shot 15-year-old Tyler Cassidy</a> during a confrontation in Northcote's All Nations park.&nbsp; Earlier that evening, Cassidy left home after a family argument then stole two knives from Northcote's Kmart store.&nbsp; Four police were called to arrest Cassidy and Victoria Police will now investigate what happened next.&nbsp; As <a href="http://www.geekgirl.com.au/blog">Rosie X</a> <a href="http://www.geekgirl.com.au/blog/?p=1571">observes</a>, several media outlets speculated about Cassidys membership in the nationalist group <a href="http://www.myspace.com/scssoldiers">Southern Cross Soldiers</a> (SCS) and posed a 'suicide by cop' explanation for Cassidy's death.<br /><br />There are a couple of interesting things to note about blogosphere and media coverage.<br /><br />Journalists described Cassidy's online life as "subterreanean" - a mix of <a href="http://www.mit.edu/%7Esturkle/">Sherry Turkle</a>'s theories about online identity fused with cyberterrorist fears - yet did not link to Cassidy's <a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&amp;friendID=425089341">MySpace page</a> or mention the SCS sites above.&nbsp; In contrast, <a href="http://en.wikipedia.org/wiki/Richard_Metzger">Richard Metzger</a> observed to me in 1998 that <a href="http://www.disinfo.com/">Disinformation</a> had a different strategy: it would link to white supremacist groups such as <a href="http://www.aryan-nations.org/">Aryan Nations</a> so that readers would <a href="http://www.disinfo.com/archive/pages/dossier/id7/pg1/index.html">understand their ideological worldview</a>.&nbsp; This got Metzger into trouble with several anti-racialist organisations who confused him with Tom Metzger of <a href="http://www.resist.com/">White Aryan Resistance</a>.<br /><br /><a href="http://slackbastard.anarchobase.com/?p=1485">Anarchist</a> and <a href="http://www.fightdemback.org/2008/12/12/1279/">anti-racialist</a> bloggers knew SCS for months before Cassidy's death as a white supremacist gang or youth network. The <a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;friendID=241176280">SCS band</a> has copied <a href="http://www.rahowa.com/">Rahowa</a>'s white separatist music as a recruitment strategy.&nbsp; The social network Bebo has pages for <a href="http://www.bebo.com/Profile.jsp?MemberId=5432648979">SCS recruitment </a>and the <a href="http://www.bebo.com/S-C-S-PRIDE-PTBA">SCS band</a>.&nbsp; <a href="http://en.wikipedia.org/wiki/Jacques_Ellul">Jacques Ellul</a> would be proud: SCS (and perhaps Cassidy unwittingly) use a blend of Australian historical imagery for in-group identity and <i>integration propaganda</i> ("Aussie pride", the Southern Cross flag, conflation of national identity with ethnicity) with <i>agitation propaganda</i> that is aimed at specific out-group enemies (Italians, Lebanese, anyone who does not meet SCS's criteria for being Australian).<br /><br />Several questions: How many other pages are there?&nbsp; Who has been monitoring them?&nbsp; What if any threat assessments were made?&nbsp; Will anyone get an opportunity to conduct a <a href="http://en.wikipedia.org/wiki/Sociometry">sociometry</a> analysis of SCS's online social network before the pages are pulled (<a href="http://www.fpri.org/about/people/sageman.html">Marc Sageman</a> established a benchmark with his study of Salafist cells that may have had weak ties to Al Qaeda).<br /><br />Bloggers and journalists alike noted that police might have de-escalated the incident if they were armed with a <a href="http://www.taser.com/">Taser</a> electroshock weapon.&nbsp; The incident captures why there is a tactical role under specific circumstances for law enforcement personnel to use <a href="http://www.globalsecurity.org/military/systems/munitions/non-lethal.htm">non-lethal</a> or <a href="http://en.wikipedia.org/wiki/Non-lethal_weapon">less-lethal</a> weapons that could have saved Cassidy's life.&nbsp; The four police will likely receive critical incident debriefs and <a href="http://innate-intelligence.com.au/">stress counselling</a>.<br /><br />A few days after Cassidy's death Northcote remains largely subdued apart from occasional police sirens in the distance.&nbsp; In contrast. Greece has faced a week of riots after the <a href="http://www.iht.com/articles/ap/2008/12/13/europe/EU-Greece-Riots.php">shooting of 15-year-old Alexandros Grigoropoulos</a> which <a href="http://www.theage.com.au/world/greek-anger-infects-europe-20081212-6xlj.html">may spread</a> to Europe.&nbsp; As a 'paired study' - SCS's street gang violence, the shootings of Grigoropoulos and Cassidy, and the divergent reactions - illustrate the late sociologist <a href="http://en.wikipedia.org/wiki/Charles_Tilly">Charles Tilly</a>'s distinction between individual aggression (Cassidy), brawls (SCS) and scattered attacks (Greece) as different types of collective violence.<br /><br />Tilly's urban sociology in the 1960s foresaw how today's social network sites may be used to coordinate street violence.&nbsp; Perhaps police intelligence analysts would benefit from a few hours with Tilly's masterful study <a href="http://books.google.com/books?id=ycwqpVKx4H4C&amp;dq=politics+of+collective+violence&amp;pg=PP1&amp;ots=MJquDWSxDI&amp;source=bn&amp;sig=LYw5XglZekA_gnSXA5LiAl59d1U&amp;hl=en&amp;sa=X&amp;oi=book_result&amp;resnum=4&amp;ct=result"><i>The Politics of Collective Violence</i></a> (Cambridge University Press, Cambridge, 2003) to pre-empt any SCS revenge attacks for Cassidy's death.&nbsp; SCS might then remain the purveyers of bad hip-hop/rock/metal hybrids (not exactly Australian), poorly designed web sites and street graffiti: the opportunist yet ineffectual extremists that Dick and Berkeley tried to warn us of . . . and that Greece and Europe may face again.<br />]]>
        
    </content>
</entry>

<entry>
    <title>Andrew Denton&apos;s Project Next</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/12/andrew-dentons-project-next.html" />
    <id>tag:alexburns.net,2008://1.57</id>

    <published>2008-12-09T09:58:04Z</published>
    <updated>2008-12-09T10:11:22Z</updated>

    <summary>Australian comedian and raconteur Andrew Denton finishes his six-year running interview show Enough Rope.  Denton&apos;s production company Zapruder&apos;s Other Films announces Project Next for 2009: finding &quot;the next bunch of original thinkers, movers, mischief-makers and cage-rattlers.&quot;Who would you nominate and why?...</summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Strategic Foresight" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="abc" label="ABC" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="andrewdenton" label="Andrew Denton" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="australianbroadcastingcorporation" label="Australian Broadcasting Corporation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="enoughrope" label="Enough Rope" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="projectnext" label="Project Next" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="zaprudersotherfilms" label="Zapruder&apos;s Other Films" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[Australian comedian and raconteur <a href="http://en.wikipedia.org/wiki/Andrew_Denton">Andrew Denton</a> finishes his six-year running interview show <a href="http://www.abc.net.au/tv/enoughrope/">Enough Rope</a>.  Denton's production company <a href="http://www.zof.com.au/">Zapruder's Other Films</a> announces <a href="http://www.projectnext.net.au/">Project Next</a> for 2009: <a href="http://www.theage.com.au/articles/2008/12/09/1228584834918.html">finding</a> "the next bunch of original thinkers, movers, mischief-makers and cage-rattlers."<div><div><br /></div><div>Who would you nominate and why?</div></div>]]>
        
    </content>
</entry>

<entry>
    <title>Chinese Democracy</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/12/chinese-democracy.html" />
    <id>tag:alexburns.net,2008://1.54</id>

    <published>2008-12-02T08:26:51Z</published>
    <updated>2008-12-02T06:32:41Z</updated>

    <summary><![CDATA[Chinese Democracy looks set to be the most delayed and expensive album in history: a rumoured $US13 million recording budget, 5 guitarists, 14 studios and a horde of Pro Tools digital editors.&nbsp; I'm not exactly a Guns n' Roses fan...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="amazoncom" label="Amazon.com" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="anthonybozza" label="Anthony Bozza" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="axlrose" label="Axl Rose" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="bestbuy" label="Best Buy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="chinesedemocracy" label="Chinese Democracy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="deathmagnetic" label="Death Magnetic" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="digidesignmetallica" label="DigiDesign. Metallica" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="elektra" label="Elektra" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gnr" label="Gn&apos;R" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jeffleeds" label="Jeff Leeds" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="myspace" label="MySpace" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newyorktimes" label="New York Times" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="protools" label="Pro Tools" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="searchengineoptimisation" label="search engine optimisation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="seo" label="SEO" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="slash" label="Slash" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[<a href="http://en.wikipedia.org/wiki/Chinese_Democracy"><i>Chinese Democracy</i></a> looks set to be the most delayed and expensive album in history: a rumoured $US13 million recording budget, 5 guitarists, 14 studios and a horde of <a href="http://www.digidesign.com/">Pro Tools </a>digital editors.&nbsp; I'm not exactly a <a href="http://web.gunsnroses.com/">Guns n' Roses</a> fan but I bought the album anyway for the CD booklet: a list of production credits for the massively overrun project.&nbsp; For the project's background see Wikipedia's <a href="http://en.wikipedia.org/wiki/History_of_Chinese_Democracy"><i>CD</i> history page</a> and Jeff Leeds' article "<a href="http://www.nytimes.com/2005/03/06/arts/music/06leed.html">The Most Expensive Album Never Made</a>" (<i>New York Times</i>, 6th March 2005).<br /><br />Interesting that <a href="http://en.wikipedia.org/wiki/Axl_Rose">Axl Rose</a> augmented the <a href="http://www.bestbuy.com/">Best Buy</a>-only release with a MySpace <a href="http://www.myspace.com/gunsnroses">streaming strategy</a> and that Amazon.com's top search today for "Chinese Democracy" is <a href="http://www.metallica.com/">Metallica</a>'s <a href="http://en.wikipedia.org/wiki/Death_Magnetic"><i>Death Magnetic</i></a> (Elektra, 2008) . . . Rose's <i>CD</i> is <i>ninth</i> on the search algorithm's list.<br /><br />I'm saving most of my thoughts on <i>Chinese Democracy</i> for a journal article.&nbsp; <br /><br />Former Gn'R co-founder <a href="http://en.wikipedia.org/wiki/Slash_%28musician%29">Slash</a> in his autobiography <a href="http://www.amazon.com/Slash/dp/0061351431/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1228196555&amp;sr=8-1"><i>Slash</i></a> (HarperEntertainment, New York, 2007), co-written with Anthony Bozza, has a prescient and interesting anecdote (p. 371) on Rose's decision to use Pro Tools in the recording studio:<br /><br /><blockquote>There were rows and rows
of Pro Tools servers and gear.&nbsp; Which was a clear indication that Axl
and I had very different ideas of how to do this record.&nbsp; I was open to
using Pro Tools, to trying new things--but everyone had to be on the
same page and in the same room to explore new ideas.&nbsp; The band managed
to do a little bit of jamming and come up with some things.&nbsp; A couple
of the ideas I had come up with Axl apparently liked and they were
recorded onto Pro Tools and stored for him to work on later.<br /><br />We'd show up at different times every evening, but by eight p.m.
generally everyone in the band would be there.&nbsp; Then we'd wait for Axl,
who, when he did come, arrived much, much later.&nbsp; That was the norm; it
was a dark, miserable atmosphere that lacked direction of any kind.&nbsp; I
hung out for a bit; but after a few days I chose to spend my evenings
at the strip bar around the corner, with orders for the engineers to
call me if Axl decided to arrive.</blockquote>
 ]]>
        
    </content>
</entry>

<entry>
    <title>Two Examples of Waking Sleep</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/12/two-examples-of-waking-sleep.html" />
    <id>tag:alexburns.net,2008://1.55</id>

    <published>2008-12-01T12:33:21Z</published>
    <updated>2008-12-01T22:01:45Z</updated>

    <summary><![CDATA[The Graeco-Russian philosopher George Gurdjieff argued in the early 20th century that humanity lives much of its life in a form of waking sleep.&nbsp; This all sounds very theoretical --- Gurdjieff was the subject of one of my first four...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Occulture" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alexproyas" label="Alex Proyas" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="brandonlee" label="Brandon Lee" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="disinformation" label="Disinformation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="emmahansen" label="Emma Hansen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="georgegurdjieff" label="George Gurdjieff" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="glebecoronerscourt" label="Glebe Coroner&apos;s Court" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gnosismagazine" label="Gnosis Magazine" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jdimytaidamour" label="Jdimytai Damour" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="johnshirley" label="John Shirley" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lawofaccident" label="Law of Accident" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lawofhazard" label="Law of Hazard" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="longisland" label="Long Island" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mumbai" label="Mumbai" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="richardsmoley" label="Richard Smoley" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robertgreenwald" label="Robert Greenwald" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rosedeng" label="Rose Deng" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecrow" label="The Crow" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="walmart" label="Wal-Mart" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[The Graeco-Russian philosopher <a href="http://www.gurdjieff.org/">George Gurdjieff</a> argued in the early 20th century that humanity lives much of its life in a form of waking sleep.&nbsp; This all sounds very theoretical --- Gurdjieff was the subject of <a href="http://www.disinfo.com/archive/pages/dossier/id132/pg1/index.html">one of my first four dossiers</a> in 1998 for <a href="http://www.disinfo.com/">Disinformation</a> and a 2001 <a href="http://www.disinfo.com/archive/pages/article/id1762/pg1/index.html">undergraduate essay</a> --- but the right circumstances can drive his point home with clarity.<br /><br />This past weekend provides two examples apart from the <a href="http://alexburns.net/2008/12/mumbai-siege-hunt.html">Mumbai siege</a>.&nbsp; In the first, Jdimytai Damour an agency temp was trampled to death at a Wal-Mart sale in Long Island, New York, on Black Friday, 28th November 2008.&nbsp; Associated Press <a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/11/28/AR2008112801338.html">coverage</a> quotes Kimberly Cribbs that customers acted like "savages".&nbsp; <i>The New York Times</i> blamed the media for <a href="http://www.nytimes.com/2008/12/01/business/media/01carr.html">creating unrealistic expectations</a> about Black Friday sale bargains: the catalyst for a mania.&nbsp; In the second, Sydney's Glebe Coroner's Court has held an inquest into Emma Hansen's death: Hansen was a pedestrian <a href="http://www.theage.com.au/national/im-a-murderer-learner-drivers-scream-at-pedestrian-carnage-20081201-6oeu.html">accidentally killed</a> in 2007 by learner driver Rose Deng, who is still permitted to drive by Australian authorities.&nbsp; Both incidents illustrate on a micro-scale Gurdjieff's Law of Accident or Law of Hazard ("when an event happens without the lines of the events we observe").<br /><br />For two overviews of Gurdjieff's philosophy see <a href="http://innerchristianity.com/">Richard Smoley</a>'s introduction to <a href="http://www.lumen.org/"><i>Gnosis</i></a> Magazine's special issue <a href="http://www.lumen.org/intros/intro20.html">here</a> and <a href="http://www.darkecho.com/JohnShirley.html">John Shirley</a>'s essay <a href="http://www.darkecho.com/JohnShirley/jsgurd.html">The Shadows of Ideas</a>.&nbsp; I also recommend Shirley's book <a href="http://www.amazon.com/Gurdjieff-John-Shirley/dp/1585422878/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1228137057&amp;sr=8-1"><i>Gurdjieff: An Introduction to His Ideas</i></a> (Tarcher, San Francisco, 2004) and his DVD commentary as co-scriptwriter for Alex Proyas' dark gothic masterpiece <a href="http://www.amazon.com/Crow-Miramax-Dimension-Collectors/dp/B000059XUO/ref=pd_bbs_sr_1?ie=UTF8&amp;s=dvd&amp;qid=1228137134&amp;sr=8-1"><i>The Crow</i></a> (1994), infamous for another Law of Accident case: <a href="http://en.wikipedia.org/wiki/Brandon_Lee">Brandon Lee</a>'s accidental death during a film stunt.<br />]]>
        
    </content>
</entry>

<entry>
    <title>Mumbai Siege: The Hunt for the Perpetrators</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/12/mumbai-siege-hunt.html" />
    <id>tag:alexburns.net,2008://1.53</id>

    <published>2008-12-01T08:20:22Z</published>
    <updated>2008-12-01T22:39:12Z</updated>

    <summary><![CDATA[Counterterrorism analysts search for answers as the official death toll from Mumbai's siege rises to 183 people.&nbsp; We now enter Susan Moeller's second stage of post-terrorist attacks: the hunt for the perpetrators and seeking justice.&nbsp; See my October 2001 analysis...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Counterterrorism" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alternativehypotheses" label="alternative hypotheses" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="anneapplebaum" label="Anne Applebaum" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="clandestinewar" label="clandestine war" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="contingentbeliefs" label="contingent beliefs" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="counterterrorism" label="counterterrorism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cts" label="CTS" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="deccanmujaheddin" label="Deccan Mujaheddin" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gregorytreverton" label="Gregory Treverton" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="henryrollins" label="Henry Rollins" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="india" label="India" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kashmir" label="Kashmir" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lashkaretaiba" label="Lashkar-e-Taiba" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mumbai" label="Mumbai" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newterrorism" label="new terrorism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pakistan" label="Pakistan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="proxywar" label="proxy war" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="slate" label="Slate" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stevecoll" label="Steve Coll" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thenewyorker" label="The New Yorker" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[Counterterrorism analysts search for answers as the official death toll from Mumbai's siege <a href="http://www.nytimes.com/2008/12/01/world/asia/01mumbai.html">rises to 183 people</a>.&nbsp; We now enter <a href="http://www.merrill.umd.edu/directory/details.cfm?id=54">Susan Moeller</a>'s second stage of post-terrorist attacks: the hunt for the perpetrators and seeking justice.&nbsp; See my October 2001 analysis <a href="http://www.disinfo.com/archive/pages/article/id1591/pg1/index.html">here</a> on the September 11 aftermath and <a href="http://www.disinfo.com/archive/pages/article/id1600/pg1/index.html">Henry Rollins' reaction</a> in New York City.<br /><br /><i>Slate</i>'s Anne Applebaum <a href="http://www.slate.com/id/2205685/">observes</a> that we don't yet know much about the group that carried out the attacks.&nbsp; Applebaum's analysis echoes <a href="http://www.laqueur.net/">Walter Laqueur</a>'s 'new terrorism' thesis in the mid-to-late 1990s: attempts at mass casualty attacks, tactics from the guerrilla and insurgency playbook, an ideological mix, and groups that either do not claim credit or who are not on the radar of counterterrorism analysts.&nbsp; Applebaum captures <a href="http://www.rand.org/multi/ctrmp/staff/treverton.html">Gregory Treverton</a>'s distinction between solvable 'puzzles' and potentially unsolvable 'mysteries' in intelligence analysis.<br /><br />"The particulars of the attacking group are unknown; the
political-military equation from which the group has almost certainly
arisen is not," <a href="http://www.newyorker.com/online/blogs/stevecoll/2008/11/decoding-mumbai.html">notes</a> <i>The New Yorker</i>'s Steve Coll.&nbsp; The <i>most plausible</i> hypotheses for Coll and other counterterrorism experts are: (1) Pakistan's intelligence services may have funded the group in a clandestine/proxy war with India; or (2) the group emerged as an autonomous cell that was ideologically motivated by the clandestine/proxy war.&nbsp; Coll explains why at this early stage the Mumbai siege is closer to Treverton's 'mysteries':<br /><br /><blockquote>If past investigations into such groups prove to be any guide, it may
be difficult to find clear-cut evidence of direct involvement by
Pakistani intelligence or army personnel. This is because Pakistan,
knowing the stakes of getting caught red-handed, has increasingly
pursued its clandestine proxy war against India in Kashmir and on the
Indian mainland through layers and layers of self-managing and
non-state groups. The Pakistani government and its domestic Islamist
proxies, including nominally peaceful charities based in Pakistan but
with operations in Kashmir, almost certainly pass through money and
weapons on a large scale. They do so, however, in such a way that is
very difficult to trace these supplies back to the government.<br /><br /></blockquote>Applebaum highlights the epistemological challenges that counterterrorism analysts face; Coll offers some guidance on how to conduct an investigation on the basis of <a href="http://www.austhink.org/monk/index.htm">'contingent' beliefs</a> and <a href="https://www.cia.gov/library/kent-center-occasional-papers/index.html">alternative hypotheses</a>.<br /><br />Pakistan's government <a href="http://www.nytimes.com/2008/11/30/world/asia/30pstan.html?ref=world">denies any role</a>
in the Mumbai attacks.&nbsp; Perhaps forensic analysis of crime scene
evidence will provide answers and shift the current speculation from
Treverton's 'mystery' to 'puzzle'.&nbsp; Or maybe not.<br /><br />The next day Coll <a href="http://www.newyorker.com/online/blogs/stevecoll/2008/12/lashkaretaiba.html">analyses</a> India's claim that the group <a href="http://en.wikipedia.org/wiki/Lashkar-e-Toiba">Lashkar-e-Taiba</a> was behind the Mumbai attack.<br />]]>
        
    </content>
</entry>

<entry>
    <title>Polly Borland&apos;s Untitled III</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/11/polly-borlands-untitled-iii.html" />
    <id>tag:alexburns.net,2008://1.51</id>

    <published>2008-11-30T05:14:33Z</published>
    <updated>2008-11-30T05:40:21Z</updated>

    <summary><![CDATA[A few months ago publisher Ashley Crawford (of 21C and World Art fame) asked me to contribute to a Photofile Magazine roundtable about a mysterious bunny image.&nbsp; I sent Ash a brief piece with in-joke references to the Discordianism movement,...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Occulture" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="21c" label="21C" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alternative3" label="Alternative 3" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ashleycrawford" label="Ashley Crawford" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidwalsh" label="David Walsh" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="discordianism" label="Discordianism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hplovecraft" label="H.P. Lovecraft" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="intelligentdesign" label="intelligent design" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="photofile" label="Photofile" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pollyborland" label="Polly Borland" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="untitlediii" label="Untitled III" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="watershipdown" label="Watership Down" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="worldart" label="World Art" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[A few months ago publisher Ashley Crawford (of <i>21C</i> and <i>World Art</i> fame) asked me to contribute to a <a href="http://www.acp.org.au/photofile/"><i>Photofile</i> Magazine</a> roundtable about a mysterious bunny image.&nbsp; I sent Ash a brief piece with in-joke references to the <a href="http://en.wikipedia.org/wiki/Discordianism">Discordianism</a> movement, the horror author <a href="http://en.wikipedia.org/wiki/H._P._Lovecraft">H.P. Lovecraft</a>, Richard Adams' novel <a href="http://en.wikipedia.org/wiki/Watership_Down"><i>Watership Down</i></a>, intelligent design, and the 1977 hoax <a href="http://en.wikipedia.org/wiki/Alternative_3">Alternative 3</a> (in <i>Photofile</i> #84, Summer 2008, p. 60).&nbsp; It was a lot of fun.&nbsp; The image turned out to be <a href="http://www.pollyborland.com/">Polly Borland</a>'s <i>Untitled III</i> (2004-04), and private collector David Walsh now <a href="http://www.theage.com.au/articles/2008/11/25/1227491547052.html">curates a billboard version</a> in Melbourne, Australia.<br />]]>
        
    </content>
</entry>

<entry>
    <title>15 Years In The Wilderness</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/11/15-years-in-the-wilderness.html" />
    <id>tag:alexburns.net,2008://1.50</id>

    <published>2008-11-29T13:24:33Z</published>
    <updated>2008-11-29T15:17:27Z</updated>

    <summary>Actor Mickey Rourke is an Oscar favourite for his Method role in Darren Aronofsky&apos;s The Wrestler (2008).  Press coverage focuses on Rourke&apos;s rise-and-fall: how his bad boy image led to onset difficulties in the late 1980s, a bitter breakup with model Carre...</summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="blowups" label="blow-ups" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="careerturnarounds" label="career turnarounds" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="careerblockingmoves" label="career-blocking moves" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="carolecadwalladr" label="Carole Cadwalladr" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="carreotis" label="Carre Otis" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="communicationproblems" label="communication problems" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="darrenaronofsky" label="Darren Aronofsky" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marlonbrando" label="Marlon Brando" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="methodacting" label="Method acting" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mickeyrourke" label="Mickey Rourke" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="oscar" label="Oscar" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="patjordan" label="Pat Jordan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sidneyfinkelstein" label="Sidney Finkelstein" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="whyexecutivesfail" label="Why Executives Fail" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[Actor <a href="http://www.mickeyrourkeonline.com/">Mickey Rourke</a> is an Oscar favourite for his <a href="http://en.wikipedia.org/wiki/Method_acting">Method</a> role in <a href="http://www.darrenaronofsky.com/">Darren Aronofsky</a>'s <span class="Apple-style-span" style="font-style: italic;"><a href="http://www.thewrestlermovie.com/">The Wrestler</a></span> (2008).  Press coverage focuses on Rourke's rise-and-fall: how his bad boy image led to onset difficulties in the late 1980s, a bitter breakup with model Carre Otis, and living humiliated, destitute and largely forgotten by the mid-1990s.  Arrogance, self-loathing, and rejecting offers for roles in later blockbusters all played a part in Rourke's banishment to straight-to-video films.  He has waited 15 years in the wilderness before a career turnaround.<div><br /></div><div><span class="Apple-style-span" style="font-style: italic;">The Guardian</span>'s Carole Cadwalladr captures this destructive career arc in a <a href="http://www.guardian.co.uk/film/2008/nov/23/mickey-rourke-interview">poignant interview</a> in which Rourke examines his poor decisions and their impact.  It's as if Marlon Brando had coauthored Sidney Finkelstein's study <span class="Apple-style-span" style="font-style: italic;"><a href="http://www.amazon.com/Why-Smart-Executives-Fail-Mistakes/dp/1591840104">Why Executives Fail</a></span> (Portfolio, New York, 2003): see Finkelstein's <a href="http://mba.tuck.dartmouth.edu/pages/faculty/syd.finkelstein/causes.html">homepage</a>, the book's <a href="http://www.whysmartexecutivesfail.com/">website</a>, and a <a href="http://video.google.com/videoplay?docid=8562160660287197858">video lecture</a>.  Rourke admits to many of the communication problems, career-blocking moves and blow-ups that Allen N. Weiner identifies in his book <span class="Apple-style-span" style="font-style: italic;"><a href="http://www.amazon.com/So-Smart-But-Intelligent-Credibility/dp/0787985740">So Smart But . . .</a></span> (Jossey-Bass, San Francisco, 2006).</div><div><br /></div><div>I reflected on Cadwalladr's profile for a week: Rourke has insights about why star performers can blow-up.  And then Pat Jordan of <span class="Apple-style-span" style="font-style: italic;">The New York Times</span> <a href="http://www.nytimes.com/2008/11/30/magazine/30rourke-t.html">decided to do some fact-checking</a> with others after an interview with Rourke.  What emerges from Jordan's investigation is a far more nuanced view of Rourke's anecdotes and self-narratives to Cadwalladr and other journalists.  "He has spent his entire adult life playing not fictional characters but an idealized delusional fantasy of himself," Jordan observes.  Maybe so, but Cadwalladr and Jordan have both written detailed and emotive portraits of Rourke who now could have a fourth act: following Finkelstein and Weiner on the corporate seminar circuit on how <span class="Apple-style-span" style="font-style: italic;">not</span> to make decisions that destroy careers and reputations.<br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Neil Chenoweth&apos;s 2008 Walkley Award for Business Journalism</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/11/neil-chenoweths-2008-walkley-a.html" />
    <id>tag:alexburns.net,2008://1.49</id>

    <published>2008-11-27T12:22:50Z</published>
    <updated>2008-11-27T13:06:12Z</updated>

    <summary><![CDATA[Congratulations to forensic journalist Neil Chenoweth and his colleagues on their 2008 Walkley Award for Business Journalism: an investigation into the failed stockbrokers Opes Prime.I interviewed Chenoweth in 2002 for a Masters paper on Rupert Murdoch's negotiation strategies.&nbsp; During our...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="M&amp;A" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="forensicjournalism" label="forensic journalism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gametheory" label="game theory" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="neilchenoweth" label="Neil Chenoweth" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="opesprime" label="Opes Prime" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="packerslunch" label="Packer&apos;s Lunch" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rupertmurdoch" label="Rupert Murdoch" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="virtualmurdoch" label="Virtual Murdoch" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="walkeyawards2008" label="Walkey Awards 2008" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wallstreetjournal" label="Wall Street Journal" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wsj" label="WSJ" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[Congratulations to forensic journalist <a href="http://www.linkedin.com/in/neilchenoweth">Neil Chenoweth</a> and his colleagues on their 2008 <a href="http://www.walkleys.com/">Walkley Award</a> for Business Journalism: an investigation into the failed stockbrokers <a href="http://en.wikipedia.org/wiki/Opes_Prime">Opes Prime</a>.<br /><br />I interviewed Chenoweth in 2002 for a Masters <a href="http://www.alexburns.net/Files/The%20Art%20of%20Mega-Deals.pdf">paper</a> on Rupert Murdoch's negotiation strategies.&nbsp; During our talk, Chenoweth gave me a couple of "aha!" moments on how to conduct a forensic journalism investigation, Murdoch's use of <a href="http://www.gametheory.net/">game theory</a> to understand other parties in a deal, and the murky underworld of cable and satellite television.<br /><br />Chenoweth writes regularly for the <a href="http://afr.com/"><i>Australian Financial Review</i></a>, an Antipodean equivalent of the pre-Murdoch <a href="http://online.wsj.com/"><i>Wall Street Journal</i></a>.&nbsp; Chenoweth's <i>Virtual Murdoch: Reality Wars on the Information Superhighway</i> (Secker &amp; Warburg, London, 2001), published in the US with new material as <a href="http://www.amazon.com/Rupert-Murdoch/dp/B000FC1K9I/ref=sr_1_2?ie=UTF8&amp;s=books&amp;qid=1227789527&amp;sr=8-2"><i>Rupert Murdoch</i></a> (Random House, New York, 2004) chronicles his decade-long investigation into the world's most powerful media mogul.&nbsp; Read a chapter-by-chapter summary <a href="http://www.disinfo.com/archive/pages/article/id1410/pg1/index.html">here</a>.&nbsp; Chenoweth's book <i>Packer's Lunch</i> (Random House, Sydney, 2006), reviewed <a href="http://www.smh.com.au/news/book-reviews/packers-lunch/2006/05/09/1146940523377.html">here</a>, also has substantial research on Sydney's corporate dealmakers in the 1990s and their Swiss bank accounts.<br />]]>
        
    </content>
</entry>

<entry>
    <title>A Challenging Conversation on Integral Futures</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/11/a-challenging-conversation-on.html" />
    <id>tag:alexburns.net,2008://1.48</id>

    <published>2008-11-25T08:23:27Z</published>
    <updated>2008-11-25T06:11:05Z</updated>

    <summary>The Journal of Futures Studies (Tamkang University, Taiwan) has published a &apos;trialogue&apos; on Integral Futures between colleagues Josh Floyd, Jose Ramos and myself.The trialogue is an exploratory method that the late ethnobotanist Terence McKenna used at the Esalen Institute and...</summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Strategic Foresight" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="advaxis" label="Advaxis" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="chrisstewart" label="Chris Stewart" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cocreation" label="cocreation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidbohm" label="David Bohm" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="douglasrushkoff" label="Douglas Rushkoff" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="embodiedforesight" label="Embodied Foresight" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="erikdavis" label="Erik Davis" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="esaleninstitute" label="Esalen Institute" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="evanthompson" label="Evan Thompson" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="futures" label="Futures" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gurdjieffwork" label="Gurdjieff Work" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="initiatoryknowledge" label="initiatory knowledge" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="integralfutures" label="Integral Futures" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jfs" label="JFS" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="joseramos" label="Jose Ramos" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="joshfloyd" label="Josh Floyd" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="journaloffuturesstudies" label="Journal of Futures Studies" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kenwilber" label="Ken Wilber" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="methodologydevelopment" label="methodology development" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="modelmonopolies" label="model monopolies" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ncedprofessionalpraalexburns" label="nced Professional PraAlex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="omegainstitute" label="Omega Institute" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="postcolonial" label="postcolonial" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="practitionerdevelopment" label="practitioner development" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ralphabraham" label="Ralph Abraham" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="richardslaughter" label="Richard Slaughter" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rupertsheldrake" label="Rupert Sheldrake" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="shadowwork" label="shadow work" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tamkanguniversity" label="Tamkang University" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="templeofset" label="Temple of Set" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="terencemckenna" label="Terence McKenna" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="trialogues" label="Trialogues" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wisdomtradition" label="wisdom tradition" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wisdomtraditions" label="wisdom traditions" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="zenbuddhism" label="Zen Buddhism" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[The <a href="http://www.jfs.tku.edu.tw/"><i>Journal of Futures Studies</i></a> (Tamkang University, Taiwan) has <a href="http://www.jfs.tku.edu.tw/13-2/E01.pdf">published a 'trialogue'</a> on <a href="http://foresightinternational.com.au/catalogue/resources/Integral_Futures.pdf">Integral Futures</a> between colleagues <a href="http://www.emergence.net.au/people/josh_floyd.html">Josh Floyd</a>, <a href="http://www.actionforesight.net/">Jose Ramos</a> and myself.<br /><br />The trialogue is an exploratory method that the late ethnobotanist <a href="http://en.wikipedia.org/wiki/Terence_McKenna">Terence McKenna</a> used at the <a href="http://www.esalen.org/">Esalen Institute</a> and <a href="http://www.eomega.org/">Omega Institute</a> to cocreate new knowledge informed by interdisciplinary expertise.&nbsp; McKenna's trialogues featured mathematician <a href="http://www.ralph-abraham.org/">Ralph Abraham</a> and biologist <a href="http://www.sheldrake.org/">Rupert Sheldrake</a>.&nbsp; More recently, <a href="http://www.techgnosis.com/">Erik Davis</a> and <a href="http://www.rushkoff.com/">Douglas Rushkoff</a> have continued the tradition.&nbsp; The theoretical physicist <a href="http://en.wikipedia.org/wiki/David_Bohm">David Bohm</a> developed a similar method for dialogue and group work.<br /><br />Floyd, Ramos and I discussed this approach in February-April 2006 after taking three different
iterations of Advanced Professional Praxis a 'capstone' project unit in
Swinburne University's <a href="http://www.swinburne.edu.au/business/agse/strategic_foresight_program.htm?mi=100&amp;id=5235">Strategic Foresight</a> program.&nbsp; <a href="http://www.foresightinternational.com.au/">Richard Slaughter</a> provided a focal point as he assembled papers for a special issue of the journal <a href="http://www.elsevier.com/locate/futures"><i>Futures</i></a> (Elsevier) on Integral Futures Methodologies (November, 2007).&nbsp; For over a decade, Slaughter had synthesised a Futures knowledge base of new frameworks, methodologies and visions.&nbsp; Informed by <a href="http://www.kenwilber.com/">Ken Wilber</a>'s <a href="http://www.integralinstitute.org/">Integral vision</a>, Slaughter proposed Integral Futures as a "broader and deeper" horizon for Futures work.&nbsp; Wilber and Slaughter galvanised a new cohort of practitioners to develop new Integral Futures methodologies.&nbsp; Yet new creative horizons may create new problems.<br /><br />How can Integral Futures practitioners be ethically informed about their new methods?&nbsp; Our trialogue proposes Embodied Foresight as one possible way to achieve this: the cultivation of ethical sensitivity, situation awareness about the Teacher-Student relationship and pedagogical barriers, and self-reflection on the transformative potential of initiatory knowledge and wisdom traditions.&nbsp; Or, "foresight-in-context" may anticipate and prevent hazards that might have unforeseen consequences.<br /><br />The trialogue creates a space for each of us to bring theoretical frameworks and practitioner reflections into the discussion.&nbsp; Floyd brings expertise in Zen Buddhism, cognitive science and phenomenology, and a familiarity with Wilber and <a href="http://individual.utoronto.ca/evant/">Evan Thompson</a>'s research.&nbsp; Ramos brings transcultural experiences in Futures, action research, and postcolonial insights on "model monopolies".&nbsp; I added some insights from mid-1990s exploration of the <a href="http://www.gurdjieff.org/">Gurdjieff Work</a> and the <a href="http://www.xeper.org/">Temple of Set</a>, and experiences during Masters studies, publishing and research projects.<br /><br />From our trialogue's conclusion:<br /><br /><blockquote>Embodied Foresight offers some emergent solutions for the individual practitioner to the challenges and difficulties of Integral Futures practice. These reflexive 'problems' are part of diffusion, initiation and knowledge transfer in many wisdom traditions. Our 'trialogue' has raised several 'reflexive' problems-from Teacher-Student relationships and pedagogical barriers to the archetypal dangers of <i>Phobos</i> and<i> Thanatos</i>-that each of us has personally experienced within the Futures Studies community and in other initiatory and wisdom traditions.<br /></blockquote>]]>
        
    </content>
</entry>

<entry>
    <title>CPRF08 Paper: Disruptive Innovation, Radiohead &amp; Nine Inch Nails</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/11/cprf08-paper-disruptive-innova.html" />
    <id>tag:alexburns.net,2008://1.47</id>

    <published>2008-11-21T06:27:15Z</published>
    <updated>2008-11-21T06:34:29Z</updated>

    <summary>I recently blogged about a presentation the 2008 Communications Policy Research Forum in Sydney on disruptive innovation in the music industry.You can now download an Adobe PDF version of the PowerPoint slides here.The refereed paper has been published in the...</summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Corporate Finance" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Innovation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="M&amp;A" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Strategic Foresight" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Strategic Intelligence" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="chinesedemocracy" label="Chinese Democracy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="chrisanderson" label="Chris Anderson" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="claytonchristensen" label="Clayton Christensen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cprf08" label="CPRF08" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cristinaabad" label="Cristina Abad" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dealstructures" label="deal structures" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="disinformation" label="Disinformation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="disruptiveinformationrevelation" label="disruptive information revelation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="disruptiveinnovation" label="disruptive innovation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="disruptiveinnovationmarkets" label="disruptive innovation markets" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="emi" label="EMI" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="francopapandrea" label="Franco Papandrea" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="freeconomics" label="freeconomics" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gunsnroses" label="Guns n&apos; Roses" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="inrainbows" label="In Rainbows" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="livenation" label="Live Nation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="markarmstrong" label="Mark Armstrong" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="myspace" label="MySpace" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nineinchnails" label="Nine Inch Nails" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="postmergerintegration" label="post-merger integration" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="radiohead" label="Radiohead" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="scottanthony" label="Scott Anthony" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="terrafirmacapitalpartners" label="Terra Firma Capital Partners" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="theslip" label="The Slip" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="umg" label="UMG" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="web20" label="Web 2.0" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[I recently blogged about a presentation  the 2008 <a href="http://www.networkinsight.org/events/cprf08.html/group/6">Communications Policy Research Forum</a> in Sydney on <a href="http://www.claytonchristensen.com/">disruptive innovation</a> in the music industry.<br /><br />You can now download an Adobe PDF version of the PowerPoint slides <a href="http://www.alexburns.net/Files/CPRF08AlexBurns.pdf">here</a>.<br /><br />The refereed paper has been published in the <a href="http://www.networkinsight.org/verve/_resources/Record_CPRF08.pdf"><i>Proceedings of the Communications Policy Research Forum 2008</i></a> (pp. 155-175 or PDF file pp. 179-199).&nbsp; You can also download a local copy of the paper <a href="http://www.alexburns.net/Files/DisruptiveRadioheadNIN%20-%20Alex%20Burns.pdf">here</a>.<br /><br />The paper's case study examines why <a href="http://www.radiohead.com/">Radiohead</a> and <a href="http://www.nin.com/">Nine Inch Nails</a> released their new albums as digital downloads.&nbsp; I suggest a major reason why, and one that was overlooked by <a href="http://www.oreillynet.com/pub/a/oreilly/tim/news/2005/09/30/what-is-web-20.html">Web 2.0 pundits</a>, is that each artist was in the 'label shopping phase' of a new contract and defected after negotiation problems with their major labels.&nbsp; This fits a pattern in mergers and acquisitions: the major labels lost artists due to integration problems in a merger or acquisition.&nbsp; <a href="http://www.terrafirma.com/">Terra Firma Capital Partners</a> has since partially confirmed this hypothesis: the private equity firm endures <a href="http://www.ft.com/cms/s/0/fe9b614c-a22c-11dd-a32f-000077b07658.html">more post-acquisition integration problems</a> with EMI and is <a href="http://www.ft.com/cms/s/0/fe9b614c-a22c-11dd-a32f-000077b07658.html">fighting against government regulation</a> of Great Britain's financial services sector. <br /><br />The paper's data appendices contrast the artists' strategies with signficant events and innovations in music industry contracts, conglomerate mergers and deal structures.&nbsp; Somehow I missed <a href="http://www.u2.com/">U2</a>'s March 2008 deal with <a href="http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003782687">Live Nation</a>: I found out about it in an October 2008 <a href="http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003875614">announcement</a>.&nbsp; <a href="http://www.gunsnroses.com/">Guns n' Roses</a> also finally released <a href="http://en.wikipedia.org/wiki/Chinese_Democracy"><i>Chinese Democracy</i></a> (MySpace <a href="http://www.myspace.com/gunsnroses">audio stream</a>): a new album that has taken 15 years, a rumoured US$14 million budget and 14 recording studios in New York, Los Angeles, Las Vegas and London.&nbsp; I may write a paper on it . . .<br />]]>
        
    </content>
</entry>

<entry>
    <title>Efficiency Perils in Global Food Markets</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/11/efficiency-perils-in-global-fo.html" />
    <id>tag:alexburns.net,2008://1.45</id>

    <published>2008-11-19T07:26:00Z</published>
    <updated>2008-11-19T05:55:28Z</updated>

    <summary><![CDATA[The New Yorker's James Surowiecki provides an overview of volatility in the global food market.&nbsp; Three insights emerge for me:(1) Differences between policymakers and food security experts at the problem diagnosis stage may have complicated the implementation of structural adjustment...]]></summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Strategic Foresight" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Strategic Intelligence" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="allocationmechanisms" label="allocation mechanisms" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="comparativeadvantage" label="comparative advantage" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidricardo" label="David Ricardo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="demandsupply" label="demand-supply" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="foodsecurity" label="food security" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="globalfoodmarkets" label="global food markets" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="internationalpoliticaleconomy" label="international political economy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="internationaltrade" label="international trade" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jamessurowiecki" label="James Surowiecki" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marketfailure" label="market failure" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marketmodels" label="market models" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pricing" label="pricing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="simulationsoftware" label="simulation software" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stocksandflows" label="stocks and flows" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="structuraladjustmentprogram" label="structural adjustment program" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="vensim" label="Vensim" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://alexburns.net/">
        <![CDATA[<i>The New Yorker</i>'s <a href="http://en.wikipedia.org/wiki/James_Surowiecki">James Surowiecki</a> provides an overview of <a href="http://www.newyorker.com/talk/financial/2008/11/24/081124ta_talk_surowiecki">volatility</a> in the global food market.&nbsp; Three insights emerge for me:<br /><br />(1) Differences between policymakers and food security experts at the problem diagnosis stage may have complicated the implementation of <a href="http://en.wikipedia.org/wiki/Structural_adjustment">structural adjustment</a> programs.&nbsp; Food security poses solutions that are potentially counterintuitive to policymakers: the former will value food stocks to ensure stability in sovereign nation-state the international political economy whereas the latter may prioritise food flows for international trade, to hedge commodities and currency risks.&nbsp; <a href="http://www.newyorker.com/online/blogs/jamessurowiecki/?xrail">Surowiecki</a> explores a contemporary scenario of potential market failure due to demand-supply, pricing and other distortions with the allocation mechanisms.<br /><br />(2) <a href="mailto:http://en.wikipedia.org/wiki/David_Ricardo">David Ricardo</a>'s theory of <a href="http://en.wikipedia.org/wiki/Comparative_advantage">comparative advantage</a> - in which each nation specialises in the efficient production of goods and services to trade with others for maximum payoff - may not be scalable in its simple form to a complex, interconnected and global system.&nbsp; Surowiecki's analysis suggests tha the over-reliance on a few countries for specific foods will undermine the global system's resilience and capacity to cope with exogenous shocks and volatility.<br /><br />(3) Paramaters for investor and market models of the global food market using <a href="http://www.vensim.com/">Vensim</a> simulation software: production supply, demand volatility, pricing, subsidies/tariffs, stocks and flows, and leverage points.&nbsp; Undertake different short- and long-run simulations noting the role of capacities, dynamics and thresholds, and the impacts of exogenous shocks and volatility.<br />]]>
        
    </content>
</entry>

<entry>
    <title>Value Chain 2.0 Precursors</title>
    <link rel="alternate" type="text/html" href="http://alexburns.net/2008/11/value-chain-20-precursors.html" />
    <id>tag:alexburns.net,2008://1.46</id>

    <published>2008-11-19T02:10:24Z</published>
    <updated>2008-11-19T00:15:36Z</updated>

    <summary>Paul Roberts has an interesting post on Value Chain 2.0: the use of Web 2.0 methodologies and platforms in value chain analysis, process redesign and supply chain management (SCM).Value Chain 2.0 transformations actually predate Tim O&apos;Reilly&apos;s Web 2.0 term but...</summary>
    <author>
        <name>Alex Burns</name>
        
    </author>
    
        <category term="Innovation" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="3m" label="3M" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="alexburns" label="Alex Burns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term